amongthesleep（amongthesleep游戏好玩吗）

游戏发烧友来看一下amongthesleep,以下6个关于amongthesleep的观点希望能帮助到您找到想要的游戏资讯。

本文目录

among the sleep怎么设置中文

among the sleep是在游戏内的setting界面内选择语言设置，设置为中文的，如果是中文版的游戏，则默认设置为中文。

among the sleep是一款以小孩子为视角的第一人称动作冒险游戏，故事映射了当今社会中许多父母大人之间的争吵带给小孩子的阴影的事实。在这个游戏里，这个小孩在现实生活中的压抑将会在梦境中化作可怕的怪物和敌人。

among the sleep的操作还是很简单的，WASD控制移动，鼠标触发使用道具，ESC键控制人物闭眼，CTRL下蹲。合理利用这些动作我们就可以顺畅的通关整款游戏。

在部分时候我们的探险旅程都是在家中完成的，而在家里有不少可供小婴儿躲藏的地方，这些地方都需要玩家移动进入，但是在躲藏地中移动也不是件容易的事情，需要玩家小心操控，才能继续触发下一步来开展剧情。

among the sleep怎么玩不了

among the sleep玩不了，重启手机尝试,清除游戏缓存数据尝试，设置查找“应用程序管理器”已下载)查找下载的游戏，重新进去试试，或者可能是网络问题，重新连接下网络试试。若还是不行，建议重启电脑再尝试。

《Among the Sleep》是一款第一人称恐怖冒险游戏。

游戏中没有分数或战斗系统等要素，而是通过氛围与探索来体现恐怖。在《Among the Sleep》中，弱小又无助的你将努力尝试着去了解这个世界。

简介：

最终结局主角从里世界回到了现实，主角的母亲抱着少了条胳膊的泰迪熊蜷缩在地上痛哭，门外再次响起了敲门声，送熊的陌生人再次光顾了主角的家。打开门，外面是一片光明......

从这个角度看，这款游戏包含着一定寓意，算是一款比较有内涵和讽刺意味的恐怖游戏。

《沉睡之间》是一款史无前例的婴儿视角恐怖游戏，玩家在游戏中将扮演操作一个两岁大的男婴，在小孩儿两岁生日那天他的妈妈从一个陌生人手中收到一份快递，快递包裹里是只可爱而安静的泰迪熊，那是他妈妈送给他的生日礼物。

amongthesleep讲了个什么

一个小孩的父母离婚了，他跟着母亲生活，母亲对爸爸很失望，于是整天酗酒，把自己的愤怒发泄在孩子身上，还不让爸爸来接走孩子，但是她是真的爱这个孩子。一天晚上，妈妈不见了，一个小熊【爸爸送的礼物】带着孩子去找妈妈

30-40分钟左右的英文话剧（8人左右）剧本

THE FIRE

Ten Minute Play

by

D. M. Bocaz-Larson

Copyright © 1991, 2003

All Rights Reserved

Before performing this script, you must first request permission at pocolocoplayers@yahoo.com or http://www.geocities.com/pocolocoplayers/request.html

The script may be printed and copied for free. If you decide to perform the play and charge admission, the requirements are below: 1. All programs, posters, etc. should have the author's name (D. M. Bocaz-Larson) and something that tells about the Freedrama.com website such as "Produced by special arrangement with www.freedrama.com". When you complete the production, mail a copy of the program to the royalty address listed below. 2. There is a $20 royalty for using the play for up to two performances. If you perform the play three or more times, the royalty is just $10 per performance. The royalty payment must be sent via http://www.paypal.com. Or you may send a check to: D. M. Bocaz-Larson, 422 Deanna Lee St., Grants, NM 87020. Please no purchase orders. NOTE: The play may not be reproduced or published in any form without written permission from the author. Thank you for selecting my script. I hope you enjoy it. Sincerely, D. M. Bocaz-Larson 422 Deanna Lee St. Grants, NM 87020

Cast of Characters

TANDE – lost person with only an address and no memory of anything else

SLEEPER – a person to be feared who is the only one who can guide TANDE

TERRY – a friendly and concerned person who befriends TANDE

SHOUTER – an angry individual who is annoyed easily

HYPE – quick to get into other people’s business

WHINER – complains about everything and everyone

SWEET – an overly friendly person who is upset by harsh words

DOWNER – willing to cast a dark shadow on any situation

Scene 1

(Lights in this play are dim to show darkness. A

blue tint to the lights might add to the effect.

On stage are several cots with people sleeping on

them. TANDE enters cautiously among the sleeping

people. He reaches about center and is distracted by

a sudden loud snore behind him. This causes him to

run into a cot, C)

SLEEPER

Who that? What's with knockin' my bed?

SHOUTER

Quiet!

SLEEPER

You quiet yourself.

TANDE

I'm sorry. Please go back to sleep.

SLEEPER

Don't you start tellin' me what to do. You done plenty already.

TANDE

It was an accident.

SHOUTER

Will you shut up?!

HYPE

Who's yellin'?

WHINER

Hey, man. Go to sleep. There's other people around here ya' know.

SLEEPER

Yeah, I know. So shut your trap.

TANDE

Please, all of you, go back to sleep.

TERRY

Who's the fancy talker? I bet he wears a tie?

SLEEPER

I don't see none on him. He lucky. I would a used it to strangle him.

TANDE

I'm sorry. I just need a place to sleep.

SLEEPER

There ain't none here.

TERRY

You got two cots. Why don't you give him one?

SLEEPER

What with you? You take a likin' to him?

TERRY

Well, he ain't got no tie.

SLEEPER

And I ain't got no cot. So go somewhere else.

TANDE

I'll go. It's okay.

SWEET

You can always sleep with me, honey, I got lots of room.

DOWNER

What're you talkin' about? You're the one who needs two cots.

SWEET

Careful what you say, I might cry.

WHINER

Oh, man. Last time she cry, she wouldn't shut up all night.

TANDE

Everyone, please. I didn't mean to cause so much trouble.

SLEEPER

You too late. You already did. Now, you have to pay.

SWEET

(Almost a whisper)

Be gentle with him.

SLEEPER

Shut up, woman!

SHOUTER

Why don't you?! I'm tryin' to sleep here.

(Silence. SLEEPER crosses to SHOUTER's bed, DR. He

stands over him a moment)

What do you want?!

SLEEPER

No one mouths off at me.

SHOUTER

Too late, I already did.

(In a quick motion, SLEEPER tips the cot, kicks

SHOUTER, and pins him to the floor with his foot.

TANDE tries to escape L during this but is caught

by HYPE and WHINER. HYPE and WHINER

push TANDE roughly into a sitting position on

a cot, DL. Once again everything is still again)

SLEEPER

What you say to me, boy?

SHOUTER

Nothin', nothin' at all.

SLEEPER

And what you say to me later?

SHOUTER

Nothin'.

HYPE

(Holding TANDE)

We got this one.

WHINER

What you gonna do with him?

SLEEPER

(Crosses to TANDE, grabs his face roughly and

makes TANDE look up at him)

Does I scare you?

TANDE

(Softly)

Yes.

SLEEPER

(Smiles, still holding him, looking into his eyes)

It's that look I love. I loves it more than women. And you's got it.

(He roughly releases TANDE. Others leave him

alone and go to the corners to converse. SLEEPER

sits on his cot. TERRY goes to TANDE)

TERRY

Hi, there.

TANDE

Hi.

TERRY

My name's Terry.

(Holds out hand. They shake)

TANDE

Tande.

TERRY

I think Sleeper likes you.

TANDE

I think you're wrong.

TERRY

He's not as bad as he looks. He's really a pussy cat deep down.

TANDE

Yeah, with long claws, long teeth, and rabies.

TERRY

Oh, you’re funny. I like you.

TANDE

(Brushing off the unwanted intimacy)

Where am I?

DOWNER

(Joins them)

You're down, man. You're at the end of existence.

TERRY

He exaggerates.

DOWNER

You eg-za-der-dates if you's sayin' otherwise.

TANDE

I was told to come here. At least, I think so.

(Takes out paper)

Here's the address.

(TERRY is silent when he sees paper)

DOWNER

That's bad man. Real bad.

TANDE

What is?

DOWNER

That place.

TANDE

Then this isn't it?

DOWNER

This place is far from it, man. This is Disneyland to that.

TANDE

Maybe I shouldn't go.

TERRY

You have to.

TANDE

Who will take me there, then?

TERRY

(No longer cheerful)

Sleeper can take you.

TANDE

Sleeper? Why him?

DOWNER

That's a bad place. Only Sleeper goes there.

(To TERRY)

They say he's from that neighborhood.

TERRY

If that's possible.

TANDE

Can it be that bad?

DOWNER

Where you comin' from, man? Don't you know nothin' about this neighborhood?

TANDE

This is all new to me.

DOWNER

It better be unnew and fast or you's gonna lose yourself here.

TERRY

That place where you're going...

TANDE

Yeah?

TERRY

It's dangerous... cops don't even go there.

DOWNER

And when Sleeper goes, he don't bring no one back.

TERRY

You didn't have to tell him that.

DOWNER

It's the truth, ain't it?

TANDE

I'm free, aren't I? I just won't go. I'll stay here. That's easy enough.

DOWNER

You forget. Sleeper won't let you. You're stuck.

TANDE

Damned if I do, damned if I don't.

DOWNER

Hey, he catches on quick.

TERRY

Not quick enough I'm afraid.

TANDE

Won't Sleeper help me through?

DOWNER

Sleeper? Help? Those words don't go, man. Sleeper would sooner see you hurt than helped. That's his way.

TANDE

I may as well go alone then.

TERRY

Sleeper would go anyway. It’s his job. You may as well go with him.

DOWNER

You stick with Sleeper in that neighborhood, man. You'll be glad you did. With them the way they are there, he'll be your best friend.

TANDE

I don't understand any of this. What is this stupid address? I don't want to go, but what else can I do? There's nothing behind me. There's nothing here. The only thing I have is this address.

DOWNER

Keep what you got. It could be worse… but not much.

(Moment of silence. SLEEPER gets up and puts on a

jacket. SLEEPER crosses over to them. DOWNER sees

him and crosses away. TANDE and TERRY notice

SLEEPER when DOWNER leaves)

SLEEPER

(To TANDE)

You comin'?

(TANDE looks to TERRY pleadingly)

TERRY

You'd better go.

(TERRY gets up and crosses away)

SLEEPER

Show me your paper.

TANDE

Paper?

SLEEPER

(Louder and sharper)

The address!

(TANDE quickly gives it to him)

SLEEPER

(Laughs darkly)

Bad place. What's a fancy talkin' little wuss like you doin' in a neighborhood like this?

TANDE

Someone gave me the address. I don't remember them saying anything else.

SLEEPER

Probably better that way.

TANDE

What is this place anyway?

SLEEPER

That depends on you.

TANDE

What is that supposed to mean?

SLEEPER

(Laughs)

You see. What that they say. "Patience is a..." What's that word?

TANDE

"Virtue."

SLEEPER

Yeah. You got to get yourself some of that.

TANDE

I thought I had plenty before this.

SLEEPER

You find you got a lot less after.

(Starts R)

It's time.

TERRY

(Goes up to TANDE)

Keep safe.

SLEEPER

I ain't got the time!

TERRY

You'd better go.

TANDE

Good-bye. Perhaps I'll be back this way again.

(TERRY smiles sadly)

SLEEPER

You comin'?

(TANDE follows SLEEPER off R. TERRY watches

sadly. DOWNER glances reluctantly, but turns away.

Lights fade to black)

常见介词(详细一些）

in 用于不具体的时间 e.g.in the morning;in spring at 用于具体时间点；还有在...岁时, 向，在...之中，按...速度,值(卖)...钱,。 e.g. at six o'clock；at eighty miles an hour； as 作为.e.g:treat him as a child 把他当小孩子对待 before 在...的前面(位置),在...之前(时间) e.g.He can't finish his work before supper. 晚饭前他完不成工作。 behind 在...的后面(位置), 落后于，不如， 迟于,晚于(时间) e.g.behind the door about 关于,附近,大约,周围,随身 e.g.I have bought a book about Shakespearean. 我买了一本有关莎士比亚的书。 above 在....上,高出,以上,超过,在...上游. e.g.above sixty years old. 六十多岁 across 横过,对面,交叉,在...的对面. e.g. swim across the river游过河 after 在...后面,依照. e.g.Read after me, please. 请跟我朗读 like 象...，如同... e.g.The twins are like their father. 双胞胎象他们的父亲。 from 从..., 来自... e.g. I'm from China.我来自中国。 near 靠近... e.g. near the house of ...的，属于... e.g.a map of China 一张中国地图 round 围着...，绕过...，在...周围 e.g.We sat round the table. 我们围着桌子坐下 through 经过...，穿过...。 e.g. They went through the forest. 他们穿过了森林 under 在...之下，低于 e.g. under the bed .

英国雪莱的《致云雀》《西风颂》的原文

To a Skylark by Percy Bysshe Shelley雪莱 致云雀

Hail to thee, blithe Spirit!

Bird thou never wert,

That from Heaven, or near it,

Pourest thy full heart

In profuse strains of unpremeditated art.

Higher still and higher

From the earth thou springest

Like a cloud of fire;

The blue deep thou wingest,

And singing still dost soar, and soaring ever singest.

In the golden lightning

Of the sunken sun

O'er which clouds are bright'ning,

Thou dost float and run,

Like an unbodied joy whose race is just begun.

The pale purple even

Melts around thy flight;

Like a star of Heaven

In the broad daylight

Thou art unseen, but yet I hear thy shrill delight:

Keen as are the arrows

Of that silver sphere,

Whose intense lamp narrows

In the white dawn clear

Until we hardly see--we feel that it is there.

All the earth and air

With thy voice is loud.

As, when night is bare,

From one lonely cloud

The moon rains out her beams, and heaven is overflowed.

What thou art we know not;

What is most like thee?

From rainbow clouds there flow not

Drops so bright to see

As from thy presence showers a rain of melody.

Like a poet hidden

In the light of thought,

Singing hymns unbidden,

Till the world is wrought

To sympathy with hopes and fears it heeded not:

Like a high-born maiden

In a palace tower,

Soothing her love-laden

Soul in secret hour

With music sweet as love, which overflows her bower:

Like a glow-worm golden

In a dell of dew,

Scattering unbeholden

Its aerial hue

Among the flowers and grass, which screen it from the view:

Like a rose embowered

In its own green leaves,

By warm winds deflowered,

Till the scent it gives

Makes faint with too much sweet these heavy-winged thieves.

Sound of vernal showers

On the twinkling grass,

Rain-awakened flowers,

All that ever was

Joyous, and clear, and fresh, thy music doth surpass.

Teach us, sprite or bird,

What sweet thoughts are thine:

I have never heard

Praise of love or wine

That panted forth a flood of rapture so divine.

Chorus hymeneal

Or triumphal chaunt

Matched with thine, would be all

But an empty vaunt--

A thing wherein we feel there is some hidden want.

What objects are the fountains

Of thy happy strain?

What fields, or waves, or mountains?

What shapes of sky or plain?

What love of thine own kind? what ignorance of pain?

With thy clear keen joyance

Languor cannot be:

Shadow of annoyance

Never came near thee:

Thou lovest, but ne'er knew love's sad satiety.

Waking or asleep,

Thou of death must deem

Things more true and deep

Than we mortals dream,

Or how could thy notes flow in such a crystal stream?

We look before and after,

And pine for what is not:

Our sincerest laughter

With some pain is fraught;

Our sweetest songs are those that tell of saddest thought.

Yet if we could scorn

Hate, and pride, and fear;

If we were things born

Not to shed a tear,

I know not how thy joy we ever should come near.

Better than all measures

Of delightful sound,

Better than all treasures

That in books are found,

Thy skill to poet were, thou scorner of the ground!

Teach me half the gladness

That thy brain must know,

Such harmonious madness

From my lips would flow

The world should listen then, as I am listening now!

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